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Home29th Edition | ACTIVITIES | La Cápsula del Tiempo


The aim of this section is to shed light on some little-known but invaluable aspects of our cinematic past, and thus reaffirm the extraordinary value of our cinematic tradition. It will focus on lesser-known films, which for the first time in many decades are being given the recognition they deserve. 

This third edition is themed “Imagining Genres,” and it shows how, during the 1950s, due to the rise of mass culture, news-stand novels, and Hollywood films, many filmmakers were tempted to embrace genres that did not belong to the Spanish cultural tradition. But of course, however much they embraced Hollywood influences, Spanish cinema could not cease to be Spanish, and so these canonical genres were mixed with a very traditional, absurdist humour, flamenco-style dances, or nonsense straight out of La Codorniz (a satirical magazine). Thus, in these three lesser-known films, we find what will become a hallmark of the best of Spanish cinema: a round trip between imaginaries. 

The presentation of these films will also be accompanied by a musical performance that brings the programme to life.

Introducing by Luis E. Parés.

Sunday 8 March
12 p.m. Teatro Echegaray

Screening:
Entierro de un funcionario en primavera (Jose María Zabalza, España, 1958)
 
Writing Jose María Zabalza
Cinematography Pablo Ripoll
Music Juan Setiem
Cast Tony Leblanc, Vicky Lagos, Féliz Fernández, Fernando Sancho
  
Lupicinio, a civil servant, died in spring. At home, preparations are underway for the wake, while upstairs a bride and her family are about to go to the church for a wedding. A scatterbrained maid, a guy who wants to collect the last instalment for a radio, a professional mourner, a pickpocket who thinks he has discovered that his wife is cheating on him... A whole host of characters, including civil servants who notice that the ladder for promotion has moved up a rung, gather around the deceased.

Una pieza en creación (casi) en primavera) 
Performer: Laura Ortiz

Lucía (Laura Ortiz) is commissioned to write a play of a maximum of thirty minutes, inspired by the film Entierro de un funcionario en primavera by José María Zabalza. Arturo (Manué Cañá) and Violeta (Paloma Lirola) help her. Together they will go through all the steps of the creative process under the gaze of the school of spectators (the audience). Breaking the fourth wall will take us into her creative world and we will participate in a well-deserved tribute to this forgotten director of Spanish cinema. Laughter, emotion and theatre within theatre, anything can happen when it’s almost springtime.
 

Friday 6 March
12 p.m. Teatro Echegaray

Screening:
Tenemos 18 años ( Jesús Franco, España, 1959)
 
Writing Jesús Franco
Cinematography Eloy Mella
Music Jesús Franco
Cast  Isana Medel, Terele Pávez, Antonio Ozores, Luis Peña
 
Prompted by their cousin Mariano (Antonio Ozores), two cousins studying at university, María José and Pili (Isana Medel and Terele Pávez), embark on a trip to southern Spain where they hope to experience all sorts of adventures. Failing that, they choose to imagine them and write several stories about their journey: a kidnapping in a sinister castle, an encounter with a gangster...

El viaje
Performer: Luna Navajas

Creating our own stories, dreaming, fantasising, is an act of pleasure and resistance in the face of an everyday life that has lost its capacity for wonder.
In this intimate gesture we find a space of our own: a place from which to narrate our adventures, desires and concerns, far from the imagery of others and the "prefabricated" products that try to inhabit us.

Then, the journey reveals itself as the natural setting for listening to ourselves and reconnecting with who we are.

 

Saturday 7 March
12 p.m. Teatro Echegaray

Screening:
Niebla y sol ( Jose María Forqué, España, 1951)
 
Writing Jose María Forqué, Pedro Lazaga, Horacio Ruiz de la Fuente
Cinematography Juan Mariné
Music Jesús García Leoz
Cast Antonio Xan das Bolas, Modesto Cid, Roberto Font
 
Isabel, Jaime's wife, is ill and he decides to retire from the world of music, although first he will compose a great ballet for dancers Antonio and Rosario. In the meantime, Isabel is reunited with a former lover, who asks her to come back to him. She refuses and her illness worsens, to the point that she will write a letter to her husband asking him to forgive her for her actions.


La estrella sin hombres 
 Performer: Sofía Barco

An actress on stage. Words and gestures seem to embody the female protagonist of José María Forqué's film Niebla y sol (1951), a character who obeys the rules of a time and a cinema that are well known. However, something is not quite right.
 
Between the fog of the story and the light of the present, the scene begins to tense: the figure seems to claim a space of its own, a voice that does not depend on anyone else.
La estrella sin hombres is a short monologue created to accompany the revival of a Spanish film with many edges, a scenic gesture that dialogues with the film from proximity and friction, inviting the audience to delight in reflection.

 
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