He is Professor Emeritus at the Autonomous University of Barcelona (UAB), holds a PhD in Communication Sciences from the UAB, a degree in Modern and Contemporary History from the University of Barcelona, a Master of Arts in Film Theory from San Francisco State University, the Fundesco Essay Prize, the XXVII Certamen Literario de la Ciudad de Irún Essay Prize, and the prize from the Spanish Association of Film Historians. He is the author of several books on visual studies, film and documentary, as well as on other subjects related to image and thought.
He has worked as a director for various television channels in Spain (TVE, TV3), Mexico, and the United States.
Among his most notable publications are La puesta en imágenes (The Start Images) ( 2003), Estética del ensayo ( 2014), Posdocumental. La condición imaginaria del cine documental ( 2021), Complejidad y Barroco (2023), La pasión de lo visible. Félix Guattari y el futuro del cine (2024), Las formas del mundo. Espacio y tecnologías de la imaginación (2025) and Imaginación artificial. La imagen más allá de la imagen (with Jorge Caballero, 2025),
He has served as Dean of the Faculty of Communication Sciences at the UAB and Academic Director of the Master's Programme in Creative Documentary at the same university. He was also the coordinator of the UAB's Centre de la Imatge and director of the university's Film Essay Prize.
She was programmer and coordinator of L'Alternativa Independent Film Festival of Barcelona (2006-2011) and is currently director of the Mostra Internacional de Films de Dones de Barcelona.
Throughout her career, she has combined her work as a filmmaker and editor with film programming and teaching, as well as research on archives and counter-archives.
Among other works, she has created the experimental home movie documentaries Memorias, norias y fábricas de lejía ( 2011) and El recolector de recuerdos ( 2011), which screened at numerous festivals, and co-directed the feature-length documentary Arreta (2016), which was selected for the Zinegoak Festival, where it won the Lesbianism and Gender Award.
As an editor, she has worked on numerous projects, including No tiene sentido...estar haciendo así, todo el rato, sin sentido ( Alejandra Molina, 2007), a film about Joaquín Jordà that won Best Documentary at the Alcances Film Festival and was selected for the Festival de Málaga and BAFICI, among others.
She has recorded sound for various audiovisual projects, including the documentaries Madres Invisibles (Lorenzo Benítez, 2016), Fugir de l'oblit (Abel Moreno, 2016) and Arreta (María Zafra and Raquel Marques, 2016).
She is part of the Fils Feministes research project on memories and archives and was a founding member of Cooptècniques, a project focused on feminist and queer audiovisual creations and technologies.
A prominent Argentinean screenwriter and director, her career spans documentary film, fiction and series for international platforms. She studied Film at the CIEVC (1996-1999) and has been a teacher and lecturer at prestigious institutions, such as the Centro Cultural Recoleta in Buenos Aires and Casa de América in Madrid. She has been on the jury of numerous international festivals and the International Emmy Awards 2025. In 2023 she received the Lifetime Achievement Award from Directors Argentinos Asociados (DAC). Her documentary filmography includes Yo no sé qué me han hecho tus ojos (2003, co-directed with Sergio Wolf), FIPRESCI, III CORAL and SIGNIS awards. With Los próximos pasados (2006), she received the FIPRESCI, SIGNIS and FEISAL awards.
In fiction, she writes and directs Gilda, no me arrepiento de este amor (2016) starring Natalia Oreiro, a box-office hit that surpassed one million viewers in Argentina, and El potro, lo mejor del amor (2018), Netflix. She writes and directs the series Dalma Maradona, la hija de D10S (2020) for HBO Max, Produ and Martín Fierro 2024 awards. She is also directing the documentary series Releyendo Mafalda for Disney+, Star+ and Canneseries 2023, and the documentary María Soledad, el fin del silencio for Netflix (2024). She also writes and directs the documentary Suerte de pino (Ibermedia 2023, Cannes Docs, Ventana Cine Madrid). With a scholarship from the Carolina Foundation, she has participated in FIDBA (Doc Lab winner), the Malaga, Lima and Trieste Festivals and won the DAC Genre Award for Best Director at BAFICI.
She is currently preparing to shoot her third fiction feature film Por qué volvías cada verano in co-production with Spain. Winner of the 2025 Carolina Foundation Madrid Grant, Ibermedia Development, MAFF2026 and FICG41.
