He has written and directed several short films that have received over 170 awards and have been selected hundreds of times around the world, including a Goya nomination in 2014 for Lucas and an honourable mention at Sundance 2010 for How I Met Your Father. Two of his works, Abimbowe and Lucas, have been chosen as Vimeo Staff Picks.

He took part in the Berlinale Talent Campus in 2009. In 2018, he directed his first feature film, Asamblea, premiering at Filmin, where it reached 40,000 spectators.

His second feature film, Lucas, premiered in cinemas in June 2021. It won several awards in the Zonazine section of the Malaga Film Festival, at the Alicante Film Festival and at the Berlanga Awards. Jorge Motos also received a nomination for Best New Actor at the Goya Awards 2022.
 
His third film, La Casa, based on the play of the same name by Paco Roca, premiered at the Malaga Festival, where it won six awards. It also received two nominations for the Goya Awards 2025: Best Supporting Actor and Best Adapted Screenplay.

It arrived at cinemas on the 1st of May 2024, where it has won over 100,000 spectators.
 

Barcelona, 1955. Doctor in Communication Sciences and graduated in Medicine, he is a tenured lecturer in Audiovisual Communication at the UAB. He’s been the director of the Filmoteca de Catalunya between 2010 and 2024, and for six years he was a member of the executive commitee of the FIAF.

He co-directed the feature films La doble vida del faquir in 2005 and Màscares in 2009, as well as the TV series La gran il·lusió. Relat intermitent del cinema català in 2018 and the short film Vidres de colors in 2022. A specialist in Orson Welles, he is the co-screenwriter of the documentary Orson Welles in the Land of Don Quixote, in 2000, and in 2008 he directed the play Yours truly, Orson Welles.

Author of forty books on Film History, he has been awarded the Comillas Prize and, on two occasions, the Muñoz Suay of the Spanish Film Academy. In 2017, he was decorated by the French government as Officier de l'Ordre des Arts et des Lettres.
 

Montilla, Córdoba, 1983. Cultural manager with 20 years of experience in the artistic and creative industries. Art historian trained in management, communication and intellectual property.

She is  currently a member of DAMA’s (the audiovisual media management entity) membership department, where she supports members in the distribution of rights and coordinates promotional activities such as the audiovisual project incubator for over-50s, Laboratorio Segunda Versión. She is also part of the DAMA Lola Salvador Screenplay Award, Cambio de Plano, a laboratory for diversity-based projects in collaboration with Netflix Spain; and the Proyecta programme, an initiative supporting the organisation’s authors on training, attendance at events and audiovisual projects development.